Ibrahim Rashid
Hamlet in Prehistoric Times: “To Be or Not to Be!,” 1980
Ink on paper, catalogue
17.6 x 50 cm
An Iraqi production where Mesopotamian myth, cave art, and cinema were fused into a 20 x 10 meter immersive stage design,
spray-painted graffiti on grain sacks from Baghdad’s Shorjah markets forming the visual language of the set.